3/15/2023 0 Comments Quiff style![]() It would be remiss to ignore Lagerfeld’s relationship with fur, which began in the late 1960s at Fendi. After losing more than 90lbs with a strict diet, which he later documented in a book, he famously described Adele as “a little too fat” and in 2017 caused outrage when he evoked the Holocaust in reference to German chancellor Angela Merkel’s immigration policy. ![]() Photograph: William Stevens/Gamma-Rapho/Getty Images Lagerfeld at a Chanel show with the supermodels Naomi Campbell, Claudia Schiffer, Amber Valletta, Kate Moss and Stella Tennant in Paris, October 1996. Lagerfeld’s creations, which include boucle suiting and supersized pearls at Chanel, faux fur at Chloé, quilting on everything from dresses to handbags, and gowns emblazoned with arch bucolic motifs, not to mention the double C logo, routinely strayed into four figures. The theme is not a complete departure from last year’s controversially “out of touch” gilded glamour, which came under scrutiny for its timing with the global economic crisis following the pandemic. “We knew he’d rather look forward than backwards,” he said. This is only the third time the Met has curated a designer-focused show, after Alexander McQueen in 2011 (who died in 2010) and the Japanese Comme des Garçons founder Rei Kawakubo in 2017.īolton agreed with Wintour that Lagerfeld would be “100% horrified by the idea of it and that he never tired of telling me that fashion was not art and fashion should not appear in a museum”, but described the exhibition as more of an essay than a retrospective. “I feel super lucky to have experienced him. “Forgive me for this, but I associate Karl with Chanel far more than Gabrielle. Speaking at the press conference, the musician said: “I first heard about Chanel through Notorious BIG in the 90s,” said Williams. It is likely his trademark image, as famous as a stamp, will appear in some form on the red carpet in May.Īmong the celebrity hosts (which last year included the poet Amanda Gorman and before that Harry Styles) is likely to be Pharrell Williams, who regularly wore Lagerfeld’s Chanel to public events. “There was always a representation of Karl on his runway.” ![]() “He was the Hitchcock of fashion,” said Andrew Bolton, the curator in charge of the Costume Institute. Photograph: Bertrand Rindoff Petroff/Getty Images The musician Pharrell Williams and actor and model Cara Delevingne with Lagerfeld in Paris, 2017. It is likely the clothes at the gala, which will be inspired if not designed by Lagerfeld, will nod to his tentacular reach.Ī mercurial figure rarely seen without sunglasses, high-collar Hilditch & Key shirts, driving gloves, his beloved Diet Coke and peculiar snow-white ponytail, Lagerfeld was that rare thing – a designer as famous as the people he dressed. ![]() But as fans of his aphorisms (“trendy is the last stage before tacky”) and his cat (Choupette) can attest, the designer’s influence extended far beyond the catwalk, epitomising the way fashion permeated wider culture. ![]() The clothes will most likely be informed by his black and white uniform and contain an aphorism or Karlism, which include the pandemic’s often quoted “sweatpants are a sign of defeat”.Īt the time of his death, Lagerfeld was the creative director of three labels – Chanel, Fendi and his eponymous label. The exhibition will be anchored by two lines of beauty – one straight, one serpentine – culminating with 10 looks that focus on Lagerfeld’s ironic side. More than 150 garments will be on display, spanning the designer’s career as the creative director of Chloé, Fendi, Chanel, his Karl Lagerfeld label and his work at Balmain and Patou. Photograph: Vittoriano Rastelli/Corbis/Getty Images Lagerfeld with the five Fendi sisters, the heads of the Italian fashion house. ![]()
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